Electives for academic courses

Ciascuno studente deve personalizzare il percorso di studi dei trienni accademici autorizzati, presentando il proprio piano di studi e indicando le materie elettive. I crediti formativi da conseguire nell’arco del triennio variano a seconda dello strumento e dell’indirizzo del corso:

Per i corsi accademici di I livello di Jazz

  • basso e contrabbasso 20 CFA
  • batteria 20 CFA
  • sax, tromba e trombone 20 CFA
  • tutti gli altri strumenti e canto 18 CFA

Per i corsi accademici di I livello in Popular Music

  • basso 21 CFA
  • batteria 20 CFA
  • canto 20 CFA
  • piano 19 CFA
  • chitarra 18 CFA

Per i corsi accademici di I livello in Musica elettronica

  • Tecnico del Suono, 18 CFA
  • Musica elettronica 18 CFA

I crediti formativi accademici (CFA) possono essere maturati seguendo attività formative affini al proprio corso di studi sia all’interno del Saint louis che, entro certi limiti, in Istituti esterni. Di seguito, l’elenco dei corsi disponibili per l’anno accademico in corso e relativi crediti per ciascuna materia.
Tutti i corsi sono a frequenza gratuita salvo diversa specifica indicazione, ma l’accesso ai corsi potrà essere subordinato all’esito di una audizione e comunque sulla base dei posti disponibili.

Le materie elettive possono essere prenotate all’interno della propria AREA ALLIEVI

Qualora l’allievo decida di frequentare attività didattica all’esterno del Saint Louis dovrà presentare idonea documentazione che la attesti; il Consiglio Accademico deciderà di volta in volta il numero di crediti maturati.
I corsi qui di seguito elencati sono stati raggruppati per aree tematiche.
Visualizzare la scheda di dettaglio di ciascun corso (paragrafo “limitazioni”) per verificare quali materie sono disponibili per il proprio corso di diploma.
Le aree tematiche per quanto specifiche possono anche essere scelte da studenti di un altro dipartimento (ad esempio: un allievo di canto può scegliere una materia dell’area “tecnologia del suono”: Tecniche di Ripresa vocale nel Live di Alberto Recchia).

MUSICAL THEORY COURSES

Rhythmic analysis 1.2 and 3 with various teachers – 30-hour module – CFA 4
Harmony 1 with various professors – 30-hour module – CFA 4
Harmony 2 with various professors – 30-hour module – CFA 4
Harmony 3 with various professors – 30-hour module – CFA 4
Jazz Harmony – 30-hour module – CFA 4
Ear Training 1 with various professors – 30-hour module – CFA 4
Ear Training 2 with various professors – 30-hour module – CFA 4
Ear Training 3 with various professors – 30-hour module – CFA 4

 

ORCHESTERS AND CHOIRS

Jazz Choir by Elisabetta Antonini – CFA 4
Pop Choir by Diego Caravano – CFA 4
Brazilian Choir by Claudia Mars – CFA 4
Coro CantAutore by Mariagrazia Fontana – CFA 4

 

MUSIC THERAPY

History and models of music therapy (20 hours) by Luigi Casiglio
Vocal and instrumental improvisation in music therapy (20 hours) by Valter Dadone
Theory and Techniques of Communication (20 hours) by Maria Emerenziana of Ulisse
Music, music therapy and neuroscience (20 hours) by Luisa Lopez

 

INSTRUMENTAL PRACTICE

Accompanying pre-academic exams, traditional diploma and academic diploma – CFA 2 – minimum 10 hours of tests, participation in a Lab on the road and final concert – 15-hour module – 2 CFA
Bass Lab of various professors – 15 hour module – 2 CFA
Black Music by Michele Papadia – 24-hour module – CFA 4
Extemporaneous Composition and Execution by Javier Girotto – 20-hour module – CFA 6
Drum Lab of various professors – 15-hour module – 2 CFA
Guitar Lab of various professors – 15-hour module 2 CFA
Hammond, Rhodes , Wurlitzer and Clavinet by Michele Papadia – 24-hour module – CFA 4
Jazz Drumming by Roberto Gatto – 25-hour module – CFA 6 – participation fee required-CFA 6
Additional individual lessons of teaching / singing of various teachers – 15-hour modules – CFA 6 – participation fee to be defined-days to be agreed
Master Classes of various teachers – from 1 to 3 CFA
Practice Plan by Sandro Mambella – 32-hour module – CFA 6 –
International Song-writing participation fee request  by Lello Panico – 25-hour module each – CFA 4
The Italian song “Song-writing by Roberto Giglio” – 25-hour module each – CFA 4
Song-writing “Analytical and formal techniques” by Gianluca Podio – 25-hour module each – CFA 4
Synth 1 by Carlo Mezzanotte – 24-hour modules each, CFA 4 at
Synth 2 by Carlo Mezzanotte – 24-hour modules each, CFA 4 at
Standard Jazz Re-harmonization by Amedeo Tommasi

 

HISTORY AND MUSICAL AND TECHNOLOGICAL CULTURE

Listening to classical music by Adriano Melchiorre -30-hour module – CFA 3
Aesthetics of music by Adriano Melchiorre – 30-hour module – CFA 5
Monograph: Dario Argento and the music of fear by Cristina Carlini – 20-hour form – CFA 3
Monograph : Bernard Herrmann: from Citizen Kane to Taxi Driver by Cristina Carlini – 20-hour form – CFA 3
Music Management by Alex Petroni – 25-hour module – CFA 3
History of music applied to Images by Cristina Carlini – 30-hour module – CFA 3
History of electronic music by Carlo Mezzanotte – 30 hour module, CFA 3
Social History of Adriano Mazzoletti Jazz – 50/60 hour module – CFA 6
History of Italian Jazz by Adriano Mazzoletti – 20 hour module – CFA 3
History from the Be Bop to the present day (International Jazz) by Adriano Mazzoletti – 20 hours module – CFA 3
History of Rock (listening guide) by Marco Manusso – 20 hours module, CFA 3
History of Popular Music 2 by Marco Manusso – 30 -hour module, CFA 3
History and Historiography of Music: The Twentieth Century and the Second Vienna School by Alessandro Cusatelli – 30-hour module – CFA 3
History and Historiography of Music: Rossini, Strauss and Kubrick by Cristina Carlini – mod. from 20 hours – CFA 3
History and History of Music 2: classical music and contemporary music between heroes and anti-heroes of the great cinema by Cristina Carlini – 20-hour module, CFA 3
History of the musical theater by Adriano Melchiorre – CFA 2
History of Sonora recording by Alberto Recchia – 6-hour module – CFA 1
International Career Building by David Logan – 20-hour module – 3 CFA
Sound Design for New Media by David Logan – 20-hour module – 3 CFA
Digital Composition for New Media by David Logan – 20-hour module – 3 CFA
Vocal Production Techniques in Live (for singers) by Alberto Recchia – 4-hour module – CFA 1

 

SOUND TECHNOLOGY

Basic acoustics for the musician of Vincenzo Lombardozzi – 14-hour module – CFA 2
Telephone Insights for Electronic Musicians by Marzia Bulli – 30-hour module – CFA 6 – request participation fee
Electricity Distribution by Alberto Recchia – 6-hour module – CFA 1
Distribution of the analog signal in the Live by Alberto Recchia – 6-hour module – CFA 3
Jackmania by Alberto Recchia – 1 meeting – CFA 1- request participation fee
Live Monitoring by Alberto Recchia – 12-hour module – CFA 3- quota request of Participation
In Radio Frequency Systems by Alberto Recchia – 12-hour module – CFA 3 – required participation fee
Diffusion Systems I by Alberto Recchia – 12-hour module – CFA 3 – request for participation fee
Diffusion Systems II by Alberto Recchia – 12-hour module – CFA 3 – participation fee request
Suspension Structures for Alberto’s broadcasting systems Recchia – 12-hour module – CFA 3 – participation fee request
Word processing on Milena Nigro’s Finale – 20-hour module – CFA 3

To learn how to transcribe the outcome of elective subjects attended by Saint Louis in the student’s booklet